+(1963).jpg "santo contra el cerebro del mal")
This is particularly evident in HOMBRES INFERNALES, where a subplot pops up involving some suspicious characters, a chase scene and a fight, seemingly out of nowhere… because it is. THE INFERNAL MEN, 1961), it wasn’t released to theatres until two years after initial production, and the aborted shooting schedule meant that sequences had to be ‘lifted’ from each film to fill holes in the other, by necessity. As with its companion film, SANTO CONTRA HOMBRES INFERNALES (SANTO VS.
SANTO CONTRA EL CEREBRO DEL MAL (SANTO VS EVIL BRAIN, 1961) is the second of two Mexico-Cuba co-productions released – but the first to be completed – after Castro came to power in Cuba, and the filmmakers were forced to flee the country prematurely (with the unprocessed 35mm negative being smuggled out inside a coffin). Joselito Rodríguez died in Mexico City in 1985. And in Huracán Ramírez (1952), he even appeared as an actor, as well. He subsequently worked on numerous films as director and screenwriter. He directed his first film, El secreto del sacerdote, in 1940. In 1939, he and his brothers Ismael and Roberto Rodríguez founded the production company Peliculas Rodriguez. He worked as a sound engineer on the first Mexican sound film, Santa (1931, Director: Antonio Moreno). The first recordings using his equipment took place in Mexico in 1929, and Joselito Rodríguez began marketing his technology as the Rodriguez Bros.
#Santo contra el cerebro del mal portable
In the following years, he developed what was at the time the lightest portable sound equipment, weighing just twelve pounds.
He completed an engineering degree at the Polytechnical School in Pasadena, California. After training as electrotechnician, he moved to Hollywood with his brother Roberto in 1925. Joselito Rodríguez was born in Mexico City in 1907. A restored version of Cerebro del Mal has now been prepared in collaboration with the Academy Film Archive, allowing an important piece of Mexican pop culture to return to cinemas. The Permanencia Voluntaria Film Archive, where many copies of the popular luchador films were held, was heavily damaged in the massive earthquake that struck Mexico in 2017. The film has great historic value, due also to its impressive exterior shots of pre-revolutionary Cuba. Rendered compliant by a scientist and his gangsters via a serum and mysterious rays, he is forced for the opening act to be a henchman for the evil forces who want to take over the world. In his first film, Cerebro del Mal, he was still referred to as ‘El Enmascarado’. Outside the ring, he also fought zombies, vampire women, mad scientists and monsters across both formats.
#Santo contra el cerebro del mal series
Even today, Santo is a legend, thanks in part to a series of superhero comics. In his forty-year career as a wrestling superstar and actor, he never once took off his iconic silver mask and was even buried in it. Rodolfo Guzmán Huerta alias El Santo was one of the most famous luchadores in Mexico, contributing greatly to the hype around the sport.
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